March 2002


Yamaha Motif Examples

By David Battino

Motif 7 photo

This page contains information and files designed to complement EM's Motif review. Click the links below to jump to the different sections.

  1. Audio demonstrations of the Motif's drum kits and filters;
  2. A downloadable Motif Pattern template showcasing the instrument's tempo-synced LFOs and touch-wah effect;
  3. Background on SmartMedia, an increasingly popular data-storage format used by the Motif.

Motif MP3 Examples

The highlight of the Motif is its Integrated Sampling Sequencer, and you'll find several examples of this sound-slicing marvel in action at www.motifator.com. I particularly recommend the "ISS Magic" and "Weak Knees" demos. Below I'll highlight two lesser-known Motif goodies.

Example A: FX Drumkits

One of the Motif's more entertaining features is its collection of drum kits built of sound effects. The individual sounds are mapped to a General MIDI layout so you can play GM drum patterns and have them make rhythmic sense. For the following MP3, I repeatedly pasted a preset drum phrase into the Motif's sequencer, then changed the drum kit every two bars. This phrase uses only a handful of the sounds in each kit, but it does hint at the quality and possibilities of the Motif's drums. In order, you'll hear:

  1. DryStandrd kit
  2. Human kit (grunts and mouth noises)
  3. Wood Bits kit (various woody objects)
  4. Gtr/Bs Fx kit (guitar and bass pops, slaps, and slides)
  5. Jazz kit
  6. R&B 2 kit
  7. Human kit (again)

Download "Motif Drums" MP3 (488 KB)

Example B: Filters

The Motif offers a large arsenal of resonant filters. For the following example, I created seven variations on a patch by changing its filter type, then switched the patches as a four-bar sequence looped. The basic waveform is number 399, "FatSaw-", to which I added a slow filter envelope, a delayed sawtooth LFO, and a slight amount of reverb and delay. The LFO and delay are set to sync to the tempo of the sequence, a trick I used again in the next section. In order, you'll hear:

  1. 4-pole "analog" lowpass (LPF24A)
  2. 4-pole lowpass (LPF24D)
  3. 4-pole "analog" lowpass with resonance boosted (LPF24A)
  4. 4-pole highpass (HPF24D)
  5. 2-pole staggered bandpass (BPF12s)
  6. 2-pole parallel highpass (Dual HPF), plus a one-step modulation because I got bored with the groove
  7. 2-pole lowpass + highpass (LPF12+HPF12)

The final section also contains an automatic fadeout created with the Motif's cryptic "Create Continuous Data EXC" command.

Download "Motif Filters" MP3 (1.1 MB)

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Motif Sync/Wah Template

During the course of my review, I asked Yamaha's Athan Billias, who was heavily involved in the design of the Motif, what some of his favorite features were. He mentioned the touch-wah effect and tempo-synced LFOs and delays, and sent me a Pattern template demonstrating the latter. I added two tracks that use the touch-wah effect, as well as some additional tracks of pads, leads, and drum grooves. If you have a Motif and a computer with a SmartMedia reader, you can download the ALL file below, load it into your Motif, and try these features yourself. Here's how:

  1. Click here to download a folder containing the two-part ALL file and a copy of these instructions (file size: 96 KB). The folder is compressed in ZIP format; to decompress it, you'll need a utility such as the free StuffIt Expander.
  2. BACK UP ALL YOUR MOTIF DATA. (The simplest way is to save an ALL file; see your manual for details.) Loading the files you just downloaded into your Motif will overwrite (erase) all the data in the keyboard.
  3. Put a SmartMedia card into your computer reader and copy the files SYNCH-EM.W2A and SYNCH-EM.W3A from the decompressed folder to it.
  4. Put the SmartMedia card into the Motif and press the File button.
  5. Press the F3 (Load) button, and use the Inc/Dec and arrow buttons to select the SYNCH-EM.W2A file. (The SYNCH-EM.W3A file is invisible, but gets loaded.)
  6. Press Enter to load the file. The loading process will take about 90 seconds.

After you've loaded the file...

  1. Press the Pattern button.
  2. Press the Track Select button until its LED lights.
  3. Press Play. You should hear a drumbeat.
  4. Press the button for Track 1 if it's not already illuminated, and play a chord in the top half of the keyboard. You'll hear it arpeggiate.
  5. Select track 2, which contains a clav sound fed through the touch-wah effect. Notice how the wah gets brighter as you play harder, and how the echo syncs to the beat.
  6. Try tracks 3 and 4, which contain sounds with LFOs that are synchronized to the beat.
  7. Try the remaining tracks. Track 5 is a bass sound, 6 is a piano/string layer, 7 is a synth pad, and 8 and 9 are leads. Track 9 also uses the touch-wah effect. Note that you can play a chord on track 6 (the pad sound), press the sustain pedal, switch to another track, and have the pad keep sustaining.
  8. Press the Mute/Solo button and try different combinations of drum grooves and fills on tracks 10-15.

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Affairs of the Smart

SmartMedia card photo
Fig. 1. SmartMedia cards are breaking out all over.

Flash RAM slots are increasingly common on music gear, and this emerging data-storage format offers many benefits. The RAM cards, which retain memory without needing power, are compatible with computers, ridiculously compact, faster and far more capacious than floppy disks, more convenient than CD-RWs and Zip disks, and increasingly affordable. Prices fell about 50 percent in 2001 and are expected to drop another 25 percent in 2002. You can now get a 128 MB SmartMedia card (the largest size the Motif supports) for less than $50.

Computer flash-RAM readers run as little as $20; they typically connect to the computer's USB port, although sluggish floppy-disk adapters are also available. When you plug in a card, it shows up as a new hard drive on the desktop, making file transfer drag-and-drop easy. (Macs without OS X will need the File Exchange control panel to access Motif cards, which are IBM DOS format.)

Although there's a bewildering number of flash-RAM formats for portable MP3 players and digital cameras, most musical-instrument manufacturers have settled on SmartMedia (see Fig. 1) or Compact Flash. Yamaha, Roland, and Korg all use SmartMedia, which is unfortunately the flimsier of the two types. Compact Flash also wins in capacity, with 512 MB cards readily available and 1 GB cards arriving soon. SmartMedia cards are the size of a matchbook and as thin as a credit card; I'm gloomily awaiting the day I'll snap one by accident. And unlike the thicker Compact Flash cards, SmartMedia cards have exposed electrical contacts, making them potentially more susceptible to static electricity. On the other hand, Yamaha's Avery Burdette, who consumes SmartMedia by the boxload, reports he inadvertently ran a card through a washing machine with no damage.

Fortunately, it's easy to find computer readers that handle both SmartMedia and Compact Flash. To keep my options open, I splurged on a PQI Travel Flash reader. Not only does it accept five different card formats, it's smaller than a cassette tape and cost just $35. But what I really like is that the Travel Flash has built-in flash RAM, letting it double as an ultraportable USB "hard drive" when my memory cards are tied up. The USB connection is fast enough to play MP3s and even some digital videos directly.

Motif players have three more reasons to invest in SmartMedia cards. One is that Yamaha has restricted the Motif's USB port to MIDI speeds (about as fast as a 33.6 kbps modem), which makes transferring files over USB excruciatingly slow. Another is that the Motif can be set to load files from the card automatically on power-up, which saves you from having to babysit the instrument should the power cut out momentarily at a gig. And third, complete firmware updates to the Motif can only be loaded from a SmartMedia card.

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